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I've spent years behind the camera, working across brand commercials and documentary film — two very different disciplines that both come down to the same thing: finding the shot that tells the truth about what's really happening.
On commercial work, that means understanding a brand well enough to make its story feel effortless on screen. On documentary work, it means staying patient enough to let a real moment happen in front of the lens, rather than forcing one.
Based in Algiers, I travel for projects and I'm always glad to talk through an idea before it's fully formed — treatments, shot lists, or just a conversation about what you're trying to say.
The first article is on its way. Check back soon.